I. C. FINE ARTS INSTITUTE INC.
P.O. Box 777, Trinidad, California, 95570-0777
E-mail: inicfa@suddenlink.net

INNER CENTER FINE ARTS INSTITUTE,

founded in1990 by the American Painter Charles Haddock, is a
5O1 © (3) non-profit, research, education, and associate
membership organization, with the express mission to open to,
and support individual study of Fine Arts ... combined with
a contemplative observation of NATURE.

This unique approach to this experience is supported
with the course book
"ARTNATURE33", and by Institute
talks, seminars, and other means, including additional
publications and courses.

CONSCIOUSNESS is the primary, uplifting purpose of
the Institute, with research backed by the latest science. The
Fine Arts are viewed as a spiritually, aesthetic, and cultural
aspect of human life. As such, the Fine Arts have a very
elevated level of Mind and Nature at its core, thereby giving
importance to life's skills and goals. Each individual must
establish his or her own personal view in these matters, relying
upon his or her own intuitional preferences.

The inner, subjective mind which is utilized in the Art-Nature
process is known to be linked in the CONNECTIVITY
of All through the dimensions above the 3rd and 4th. Higher
functions, expressing this aspect of each of us, constitute the
Universe's special nobility of the human soul-personality.


If you would like to have a seminar for a group,
email... inicfa@suddenlink.net

you are in control in your universe
INNER CENTER FINE ARTS INSTITUTE , TRINIDAD, CALIFORNIA 95570


COMPLIMENTARY TO YOU... Audio Script of an I.C. Fine Arts Audio Cassette Lecture: Creativity Background

* FORM: CLUE TO INFINITY *

Those studying literature, poetry, music or fine arts seriously look for clues within the work to the originator. For example, one may often trace a work of art to its author by internal evidence, by that connection of content which the original hand leaves in the final marks. Within you is a complex person whose existence is real and part of the only reality in the universe.

As an example a study called 'Design', that classic study which is derived from the hand and from nature itself, from its laws and its forces, is a Quantum opening to the source of all things. "In art, the force is always with you."

Any form, as we know it, expresses a will as expressed in the way it unfolds into objects and conditions in nature. We may control that force with our will, as a creative artist, blending and influencing that will. Though DNA may unfold duplicates in an infinite number, we as artists are not dealing with the means of duplication, rather the creative origin of the original. Imagination, intuition, inspiration are, in actuality, from a higher dimension.

The artist manipulates images or icons in form and creative variations of such imagery, using the physical technique. The artist is imposing universe upon matter to cause feeling, spirit and beauty to emanate.

Music also is based on the geometrics and mathematics of design. As one enters into Johann Strauss' II mind, with our immersion into the "Beautiful Blue Danube," one also enters into the infinite formative power of universes unfolding. The sunflower expresses the mathematics of a seashell or a sunset or the fluid spiralling in a cup of coffee or tea as cream is added. True works of art have a unity, a oneness within the work which shatters if added to or subtracted from.

By observing with an open mind and waiting for knowledge to arrive in a contemplative, intuitive, nonlocal moment, we may use art study as a way to access the form builder in nature our being within, and the worlds. Your access to consciousness lifts you above matter.

Here is Now: First we observe....Then we quietly await the RETURN feedback of knowledge. After 'asking', non-local Quantum laws are opened.

We may use that knowledge as a principle to create other forms in our personal style, in art or to add to life, environment, or ourself unfoldment.

The unconscious in us is the creative.... We push the buttons of the universe of the unconscious by using the conscious.

The unconscious does not think, it obeys.

It will be creative because it has been told to be so....

It will provide ideas using the key it calls INTUITION, a kind of E-MAIL of the MIND to the conscious aspect of the mind, able to reach the eye... and the hand as drawing, painting, sculpture, jewelry, film, photography and other fine arts.

Free Script

You may create art by superimposing over nature your interpretations of DESIGN.

Do not underestimate your role as Quantum observer.... You are creating when you are observing, if you have a way to preserve your observations immediately -- by drawing or painting. Painting is a poetry of color you observe and no other....This is your universe presence.

You have a right, because you exist, to co-create with the universe, and this is in itself a "mystery extraordinaire." You may find a way to make a direct link with the creative process. A direct link exists in the connection of the brain, eye and hand, that is, in the ability to place directly onto a surface an idea -- without using an intermediary, computer or mechanical means.

Yes, the study of fine arts, combined with a contemplative viewing of nature, constitutes a higher kind of knowing... a true and effective opening into the world of CREATIVITY.... The human unconscious contains a factor "X".

We can never exit out of our mind as perceptor; it is our perception... but we may enlarge, expand, develop the ability and the capacity to reach CREATIVITY as a natural process. The study of visual arts, fine arts, is a wonderful way to do just that.

We live in the objective, "left brain," and we contain and live near the subjective and the "right brain." IF YOU LIVE IN ONE ONLY, YOU STILL HAVE HALF THE WORLD LEFT TO DISCOVER -- OR RIGHT TO DISCOVER!

Here is an example of the role art plays in the discovery of creative form building: the art subjects of... LIGHT, CONTRAST, DESIGN, COLOR, AESTHETIC BACKGROUND INFORMATION, FIGURE, DRAWING AS SEEING, and many other fine arts subjects are natural, but higher implications of form and symbol.

Allow your own inner, contemplative self to look at something as simple as a CIRCLE... without thought or analysis, against a pure, white background.

The deceptively simple, thought to be almost irrelevant, proves itself not to be so.

In design, the SIMPLE is known to be the end, the advanced, not the beginning. In art, there is no virtue in over-elaboration.

In a pure, simple circle, one can FEEL... the power of all the circles, the suns, the worlds, the sources of all worlds. There is a oneness in all things which emanates from the oneness from which all things and conditions emanate.

THE DESIGN SPECIALIST KNOWS THAT CHANGING THE SHAPES INHERENTLY PRESENT IN A THING CHANGES THE CONSCIOUSNESS OF THE THING WHERE "NO THING IS ALL THINGS..."

Radiation out from a point may form other shapes; note that triangles emerge, yet are not drawn as such. as also in nature; multitudes of such events occur, yet all by AN ORDER, A HARMONY, A COUNTERPOINTING OF OPPOSITES.

Plato long ago said: "The gods geometricize." When one has a circle to look at, one has "entered a temple, within the innermost heart." Somehow all the intersections in the universe are unified and the total effect is a giant "gestalt", it is more than the sum of its parts!

MANY SCIENTISTS ADMIRE ARTISTS' CREATIVITY. THE SCIENTIFIC MIND MAY BENEFIT FROM THE "ALL VARIABLES ARE VALID," INTUITIVE ARTS PROCESS.... Variables open the door to discovery and to explorations leading to new approaches.

THERE ARE LAWS IN ART; THERE ARE SKILLS WHICH MAY BE HIGHLY REFINED AND DEVELOPED. THE UNCONSCIOUS IS FED BY THE FOOD OF THE ARTS PROCESS AND IT IS OPENED TO THE CONSCIOUS. THE UNCONSCIOUS IS SATISFIED BY THE INTUITIONS OF THE ART PROCESS.

Symbols are constructed by one's own center in the arts approach. Many wonderful discoveries have been made by scientists after entering the inner gardens and labyrinths of consciousness. To reach this special place in us, the arts are needed by certain types of people.

We build our consciousness on a background unconsciousness which seems mysterious and barren, yet is alive; THE PILLAR OF BEING POURS FORTH FROM THERE....

Without this dark living sea which is alive, could we see or know or reflect... at all?

ARE YOU THE EYES OF AN INFINITE BEING LOOKING UPON ITSELF...?

To become an artist, one is not afraid to strike a torch in the depths or heights of being.


Part 2

LIFT FROM NATURE - THE PUZZLE YOU PREFER:

To the artist - art is the puzzle. The universe is art which will never be fathomed totally except by its totality as unity. Diversity in unity - Unity in diversity - life in life, death in life is impossible, yet not to change is also impossible. Every new work of art is change, and yet all yours will bear your center's mark. You cannot see the infinite because it is inside you, looking upon you. The new quantum physics places art and aesthetic on a higher core plane of reality!

Do not be fooled by the yellow of the sun; it is white; it is orange; it is red; it is only for a time...then...as a star cannot be known as one thing. Why should you seek one such answer in life as the only...to study art, and superimpose it upon nature is a form of higher knowledge which you can customize to the uniqueness of your center of being. The contrast of dark is needed by light.. in art and in life. A golden chalice glows most gloriously against a storm-gray sky.

You place it

not there
there or it is

for you...

Read some of the new quantum theory of the universe. The principles of art are observed from the principles of life and nature; for instance, the way by which things appear and disappear. When you have the opportunity, (and make one if you do not have one)...watch the world appear through the mist of a morning fog...along the sea, or across wide open fields, or in a city as the building appear there - before your eyes, ever to become a part of your view of life - is one of life's great miracles...that things invisible one moment, become visible before you...as the rocks in a harbor become swept of fog, and gel into hard, massive solids in minutes, when they were completely “not there” before!

Here is an example of a simple art moment granting knowledge:

Take a water color set, and a piece of paper...soak the paper's center with water; take a soft brush, and place a solar area into the wet area quickly, lightly - watch the objects form. Sweep away the edges with a light pull of the brush if they become too clear; allow it to ‘gel' again into another rock or mist. Note that the edges form the rock, and the darkness gives it solidity. Yet, in a single touch of the wet brush, begins to dissolve into the sea of the white paper. This principle of art is the principle by which the universe appears and disappears! In us...for us...by us.

Objects form by nature's processes..emerge into the visible, then..dissolve into the invisible..just as the watercolor mist. So it is that art is knowledge, and is a higher insight if we contemplate it against nature overlapped or super-imposed.

Quantum wave collapse to object is instantaneous, but as artists our world paints an image as art. Art can move nature into our soul..to forever be with us..through experience and contemplation. Rocks do appear, disappear, - as do islands, and planets, and galaxies; but innermost being does not, and we may build of it, a universe ever appearing, more and more aesthetically beautiful and vast...not from some fantasy, but rather from the fantastic which is always there, just beyond the mist!

How much may be missed by just one or two small eyes. It is in the universe which exists within us, within our psyche, and the immortal center in us, that all form gradually appears, and ultimately dissolves! And we, as in a game of chess, form pieces called our self..and place them on the board, and play the game we can, and wish to, then place the pieces back into the invisible..in us is that which has the means to do all that, and more! Art is knowledge, as Goethe said, "Mysterious Knowledge, which we would never have without art.” Color, design, drawling, painting, sculpture, photography, all are knowledge...when contemplation occurs.

The attempt to fathom our ability to perceive anything, our basic awareness itself...is not with our value. The back-ground blackness, the empty sea in which it is possible for you to place images, thoughts, concepts, - must have been grown, and sustained by the universe..or it would not be there to use as a repository of awareness. Some energy or force, in the cosmos, is growing living awareness, and each of us may enter into its sea, its clouds of knowing and unknowing."

The art sense is an evolved and more sophisticated level - open to all - of perception. When you use this level within your observer the code of reality and nature will ultimately be opened for you.

By some mystery..outside tine and space, we may cumulatively build, and forever possess, the work result we place in the process.



WHAT IS 'ARTNATURE33'?

You may not realize that a new Non-locality Perception can be added to your art process, regardless of your skills, profession, age, or beliefs. In an age of mechanical and electronic image-making there is a definite benefit to you as an individual in developing hands-on skills in drawing, painting, and related art subjects. The ability to visualize and then present your ideas and to have the means to sketch or draw directly may give any person an additional way to communicate.

Most people are fascinated by watching another person develop even a simple drawing. Why not be the artist yourself? Very little in the way of materials is needed. Most materials are available locally or by mail order.

Did you know that art study increases Intuition Accuracy, as presented by the I.C. fine Arts Institute? This is drawing with your eye, not mechanical image-making. Although, all of your study will improve your 'art sense' of all image making. There is a very important reason for working directly, eye-to-hand in Fine Arts, preserving the personal, human involvement.

I.C. Fine Arts Institute reaches out to create, provide, and send the study of studio, visual I.C. art subjects and creative processes to anyone, anywhere, by any available means of delivery. Located on the beautiful Pacific shore at Trinidad , California in the redwoods, I.C.Fine Arts Institute was founded by artists and researchers as a tax-exempt, fine arts academy, issuing classical art study, using digital video, audio, and printed means to provide and preserve the visual arts tradition, yet apply New Physics Consciousness Principles, now tested and proved by the scientific method. The Institute was founded by the American Painter Charles Haddock. American sculptor Edward Fenno Hoffman III, along with a board of academics, including media specialists, assisted. The Institute has been in existence for many years as a research and development center. It is a national and international source of traditional, yet state-of-the-art, Fine Arts self-study content using the latest science relating to the inner, timeless mind within. The Institute's processes allow for exploration of the fine arts, all the while exploring the great mystery of your life and that of all Nature, including the only ultimate reality which matters or exists for each of us.

An I.C. creativity-process lecture is included in two parts as a gift to you, part of the introduction to the I.C.Fine Arts Institute.* The spoken word has always been an important part of the fine arts study process. During fine arts academic study, artists will convey those spoken laws and principles of beauty and cultural life that help make the earth a home for the higher human emotions, including facts and points for contemplation that add the human dimension and awe in life.

Lectures, seminars, and programs are available by contacting the I.C.Fine Arts Institute, Inc. at: 1 (707) 496-6000.


A view from the office of the IC Fine Arts Institute 2000 to 2008


Science is absolutely important for the future. Yet, the observations of Nature presented in the perception method in this book differ from the observations carried out by material science. Visual data is only a tiny part of life.

The combining of Fine Arts and contemplative observing of Nature, including self as a part of Nature and Cosmos, are founded on Quantum non-locality and a higher core or spirit, and are part-and-parcel of our being.

The term "spirit" may seem dated; yet, this concept is the self-perpetuating core, a fount from which the light of our eyes brings a universe to our consciousness. In the present day the term has been eclipsed by a temporary materialism.

You may need to coin a word within your perception which explains the true mystery of our existence. Within you or in touch with you is a life source, a force, a 'presence' which gives life to you, listens to you, and is the ultimate you. No sectarian implication is intended; but, we cannot ignore the awesome.

Methods of obtaining ultimate information must originate from a perception above the material. As a human being you are already above the purely material.

More detail will be provided as we learn more concerning this level. Perhaps the 'quote' which opens a way is, "Which way shall we go to find the mystery of the unknown?" That answer to the infinite unknown is within you.

So it is, that Physics at the edge, and Fine Arts, plus your access to Consciousness, contain a search-engine of the Cosmos, worthy of your soul, and fueled by the spirit.


Looking into the Science recently published:

Much data has been uncovered and tested.
Two sources are offered for your personal reading, as an opening into the science behind the paradigm presented here. Also, a popular film, the motion picture "What the Bleep Do We Know" is an excellent summary of this new science applied to life. And...

a paper by Edgar Mitchell, Sc. D, and a book by three scientists with extensive documentation are listed for you. The purpose of this Reference Material is to introduce the outreach of 'Quantum Non-locality' , which you use every day and may not realize is the origin of that quiet INTUITION often given from the consciousness.

Art study involves an intensity of observation, which you may consciously control while drawing or painting, to learn more concerning the awe-filled Nature around you, and within your consciousness. The non-artist, while observing nature may also experience the increase in return data, by asking inwardly.

A more extensive list of research sources is included in I.C. Fine Arts Institute '33 Analogs' materials.

All Inner Center(LC) Fine Arts Institute Publications C. 2006 , Charles Haddock, M.A., all rights reserved.


'Nature's Mind: the Quantum Hologram:'
Edgar Mitchell, Sc.D Noetic Sciences Institute
(P.2 of
14 )Complete Paper by Dr. Mitchell at.....

http://www.edmitchellapollo14.com/naturearticle.htm

This is the Edgar Mitchell hypothesis for integrating into the scientific framework phenomena of CONSCIOUSNESS which many scientists consider outside scientific description. Recently this has been opened to linkage to the "New Physics": The Inner Center Art and Nature observation system, combines both. For more detailed Physics see: Stanford Scientist William A Tiller, Ph.D: "Conscious Acts of Creation: the emergence of a new physics":

C.2001 William A. Tiller,Ph.D.,Walter E. Dibble, Jr.,Ph.D. and Michael J. Kohane, Ph.D Pavior Publishing, available at Amazon.com. *

"The basis of subjective experience is rooted in the quantum attribute of nature called NON-LOCALITY.

I will use the word "perception" in its most generic sense to denote a basic subjective experience at all levels of complex matter.

.... The experience of humans is that they sometimes, perhaps often, perceive information that is not available through normal, local, sensory mechanisms, nor classical space/time information. Objective testing data in overwhelming abundance provides evidence that this is true, though an explanatory mechanism has until contemporary times remained elusive.

I SHALL CALL THIS Intuitive Information or INTUITIVE PERCEPTION.

I postulate that a quantum hologram is the source of this information."

* Educational use quote, in no way intended to state that Dr. Mitchell concurs with the application of I.C. Fine Arts System.


I.C. * Fine Arts Institute (*Inner Center) announces a 33 part, creative doorway, which combines the joy of Art study with 33 levels of ANALOGS, while blending your consciousness with the simple problems of Drawing and Color as presented in each Analog. The Analogs give valuable Art projects, which in the 'doing' open new answers to questions you have asked. These answers return to you as intuitions, impressions, and ideas ...many from 'afar'.

List of 'ARTNATURE33' Titles

ANALOGUES  WHICH  OPEN  TO  HIGHER PERCEPTION,  SELF-STUDY, and Artistic Seeing

Analogue One:          Darkness to Light
Analogue Two:         Time
Analogue Three:      Mist
Analogue Four:       Geometry in Quantum Nature
 

THE  DRAWING  MACHINE  and  HOW  TO  USE  IT.

Analogue Five:        The Figure Basics: Into the Realms of Form
Analogue Six:          Bounce-light and Color
Analogue Seven:     Flowers: Nature as Art


BEAUTY  and  QUANTUM  UNIVERSE  LINKS  TO  YOU

Analogue Eight:         Skies
Analogue Nine:          Light on Surfaces
Analogue Ten:           Shadows
Analogue Eleven:      Circulars in the Quantum Universe of Nature
Analogue Twelve:      Seaside Islands and Planets: Salvador Dali
Analogue Thirteen:   Symbols
Analogue Fourteen:  Universe
Analogue Fifteen:     Color Fields
Analogue Sixteen:     Curved Lines, Motion, and Life
Analogue Seventeen: Intuition and Will
Analogue Eighteen:   Molten Silver Sea
Analogue Nineteen:   Drawing Beyond Thought
 

THE  TREASURE  IN  BEHOLDING: Creativity Insight

 Analogue Twenty:              Woodlands
Analogue Twenty One:      Light from Above
Analogue Twenty Two:     Drawing the Cube
Analogue Twenty Three:  A Set of Basic Geometrics
Analogue Twenty Four:   Drawing from a Quantum Sphere
Analogue Twenty Five:    Multi-views: One object
Analogue Twenty Six:      Sun Life
Analogue Twenty Seven: Through a Glass Softly
Analogue Twenty Eight:  Undersea Infinity Space
Analogue Twenty Nine:   Figures in a Sphere
Analogue Thirty:              Self-portrait
Analogue Thirty One:      Your Observer Universe Within
Analogue Thirty Two:     Consciousness Beyond the Art and Physics
Analogue Thirty Three:  Clues to Infinity and Higher Knowing
                                         Through Contemplative Observation
                                          of Fine Arts and Nature Combined.


 

Proposed Site for Institute
Proposed Site Envisioned for Construction North of Trinidad, California

Related to Fine Arts:
For non-artists

IMAGINATION: its Nature from Nature

INTUITION: secret power of discovery

BEAUTY: its mystery in Universe

PERCEPTION, OBSERVING power in seeing

'THE SPIRITUAL IN FINE ARTS':
what does that phrase mean?

SELF-IMAGE: a talent can be developed

NON-LOCALITY : a Quantum term
which ...changes Art and Life.

"CONSCIOUSNESS TRANSCENDENT"

 


"The means of dispensing knowledge may change through the aeons: the knowledge itself remains always as the treasure.... The means of dissemination is only an instrument."

Charles Haddock, M.A.
Chairman, President

I.C. Fine Arts Institute
I.C. Fine Arts Academy

Inner Center Fine Arts Institute, Inc.,
A Delaware Corporation;
IRS Fed I.D. #52 1681530
Educational Code Section 501(c)(3)
California Qualification # 1678135
California Secretary of State:
California Department of Justice Trust Number: CT 90872
A Delaware Corporation
with principal offices at
Trinidad, California 95570-0777


A view from the office of the IC Fine Arts Institute 2000 to 2008


Remarkable openings in Physics recently moved speculation into the realm of experiment and proof concerning Human Consciousness. This new knowledge, when combined with the traditional study of Fine Arts, may be used for both self-image upliftment and healing, as well as simply the development of Visual Art skills and perception sharpening.

The I.C. Fine Arts Institute, located on the Pacific at Trinidad, California is a world-wide research and application core, with a mission seeking to assist Humanity using the

OBSERVATIONAL INTENSITY OF DRAWING AND

DESIGN STUDY. ENTERING INTO NATURE AS A

UNIFIED OCEAN OF LIFE AND UNIVERSE IS NOW

KNOWN TO BE A HUMAN CONSCIOUSNESS

POSSIBLITY.THIS SYSTEM, WHICH REQUIRED OVER 30 YEARS TO MATURE, THE INSTITUTE CALLS

"33 QUANTA".

This gives the joy and satisfaction of sketching, painting,
and color study. This has the power to rebuild lives, develop a personal philosophy containing inherent knowledge, and develop newly opening talent. You do not have to be an artist or painter to use this way of approaching visual art Any intelligent, curious person, with an appreciation of life may open new doorways to Self and Nature. Exposure to the Ideals and Philosophy present in classical art study, when blended into the "New Physics" and applied directly to use for one's self, constitutes a Light from the very code of reality, Self, and Nature .At present, hundreds of thousands of individuals have visited the Institute web-site at www.icfineartsin.org. The Institute is a Not-for-proflt 501 (c) (3), Fed ID 52-1681530.

The 1. C .Fine Arts Institute is headed by American artist and author Charles Haddock; Dr. Arthur Harvey, V.P., specialist in art and the brain connections; and Donna Dean Haddock, V.P. of public relations, and co-founder. The American Sculptor
Edward Fenno Hoffman III was the chartering first V.P.

True philanthropy also brings light to other lives. There is a mystery in bringing Beauty to others, in aiding in the development of talent, and giving a way for one to access knowledge which is of great value to perception and attitude.

With best wishes for your openings to new interests,

Charles Haddock, M.A., Pres/Chairman inicfa@suddenlink.net Or 707-496-6000



A view from the office of the IC Fine Arts Institute 2000 to 2008

 

LINKING FINE ARTS, BEAUTY, And TIMELESS CONTENT
To YOUR UNIVERSE And To HUMAN LIFE

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